Monday, May 21, 2012  


Class Syllabus
 

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Syllabus for English 335
Fall 2011

Peru State College's Teacher Education Unit
Conceptual Framework
Creating Exemplary Educators: Reflective Decision-makers

Class: Non-Western Literature
Time
: On-Line Course, Eight-Week Course

Professor: Bill Clemente

Office: TJM 325
Office Telephone Number: (402-) 872-2233

Office Hours: By appointment. And I will check messages frequently and get back to you as a rule within 24 hours.

E-Mail: bclemente@peru.edu

Homepage: Click here.

Teaching Schedule:

Creative Writing (On Line, first Eight Weeks)

Non-Western Literature (On Line, second Eight Weeks)

8:00-9:15 MW (CATS 209): History of the English Language

9:30-10:45 MW (FA 202): Comics as Literature

11:00-11:50 Friday (FA 119): College 101

Web page: Click here. And then click on "Bill's Personal Web Page"

Required Texts:

One World of Literature by Lim and Spencer

In The Country of Men by Hisham Matar

Harp of Burma by Michimo Takeyama

Beka Lamb by Zee Edgell

Potiki by Patricia Grace

 

Please pay close attention to class announcements, for the information collected here is subject to change over the course of the term.

Turnitin : To promote academic integrity, Peru State College subscribes to an electronic service to review papers for the appropriate citations and originality. Key elements of submitted papers are stored electronically in a limited access database and thus become a permanent part of the material to which future submissions are compared.

Continued enrollment in a course signifies your permission for this use of your written work.

Should you not wish to agree to this procedure, you may drop the course during the add/drop period before any works are completed and submitted.

At the conclusion of this document, you will find links to download this syllabus as a Word or PDF file.

Course Description and Objectives:

An eight- week, on-line course, English 335 introduces readers to what will be for many a rather new world of literature, to material you might not otherwise have either occasion to encounter or the inclination to read.

As you will discover this semester,
common themes and human interests bind the drama, fiction, and poetry of the entire world. As you will come to appreciate, moreover, what looks familiar often reveals significant differences; and these differences in turn make the similarities all the more striking.

Non- Western Literature will familiarize you with works by African, Caribbean, Asian, Middle Eastern, Latin American, and the Pacific, and help you broaden your appreciation of all literature, my promise to you.


In addition to being sophisticated literature, the reading material is additionally exciting and always challenging.


Know that sophisticated authors such as Hisham Matar (Libya), Zee Edgell (Belize), Michio Takeyama (Japan), and Patricia Grace (New Zealand) are not interested in attacking Western Civilization; they have more important themes and things to emphasize, such as the necessity for people of different backgrounds and cultures to understand one another and to treat one another with mutual respect.

None of the conflicts the works address admits a simple solution.

And as a glance at either the evening newspaper or CNN underscores, what you will read about over the next few months remains very much in the news, from the frightening AIDS epidemic in southern Africa to the equally horrifying fighting in Libya and the Middle East; from our country's involvement in Afghanistan and Iraq, to the potential for nuclear confrontation between India and Pakistan.

In addition to the drama, poetry, and short stories included in your anthology, you will read a novel about one of Africa's most troubled spots, Libya, In the Country of Men.

This class will also introduce you to a challenging and at times hilarious narrative, Beka Lamb, by Zee Edgell, one of the Caribbean's great voices and a prize-winning novelist. This novel concerns the struggles of a young girl's coming of age, torn between colonial and ancestral values as she struggles to affirm her identity. In addition, you will read Michimo Takeyama's sympathetic account of Japanese soldiers in Burma at the end of WW II. Likewise, you will have the opportunity to experience the novel Potiki by Patricia Grace, a wonderful work the Maori struggle to maintain their culture in contemporary New Zealand.

Acquainting you with this literature, the class grapples with complex issues concerning Art and Artifice, Gender Roles, Racism, Colonialism, Religion, and other matters involving human relations, often in the context of political and economic oppression.

As you will discover, however, this literature of conflict points always to a difficult and requisite healing process.

To analyze and to appreciate cultural differences without obvious prejudice requires both that you keep an open mind and that you willingly question the social norms our society nurtures in each of us. Bear in mind that making the effort necessary to appreciate new perspectives brings gratifying results.

In a traditional class setting, I strive through the use of multi-media presentations--film, music, guest appearances, etc.--to reinforce recurrent themes. While viewing an excellent film from Mali on-line is not possible for us (at least not at this juncture), I will make suggestions as the semester turns about films you can watch and supply video supplements to class material.

Our library offers an excellent selection of literature from Africa and the Caribbean; and over the years, we have increased our film holdings to approximately 50 examples of excellent African cinema.

Other Goals and Objectives:

Inasmuch as this course fills General Education requirements for Global Studies, English 335 uses literature and other media to instill in students a greater interest in and understanding of the multi-cultural world that surrounds and involves them.

Non- Western Literature also takes an interdisciplinary approach central to the Literal Arts Education on which Peru State College prides itself. Through film and other narrative accounts, the class discussions and material include, among other things, history, sociology, economics, and politics.

The African, Caribbean, and Asian countries become increasingly more central to the United States and certainly to Nebraska, especially in areas of trade.

Thus the course seeks not only to talk about the literature and culture of many Non-Western countries to which the course gives attention but also to suggest ways in which the conflicts affect and are otherwise tied to our nation's concerns, from attempts to counter the terrible AIDS epidemic in Africa, to the conflicts with which American Indians contend, from the droughts that plague many areas to the terrorist attacks that afflict and affect the United states.

The preceding areas of emphasis contribute to the college's educational goals, especially in that the class seeks to broaden students' perspectives about the these important areas of the world.

And the various written assignments support the college's goal of graduating students who possess the requisite skills to communicate their ideas well and who therefore graduate with the strong foundation required for continued intellectual growth

Instru ction Method/Mode of Delivery:

This section of English 335, Non- Western Literature, is an on-line class utilizing the Blackboard template. Students will use the template for all aspects of the class, from e-mail communication with the instructor to turning in assignments. Students will also communicate on a regular basis with fellow students through the Discussion Board element of the template to which everyone will contribute. The class also features a class blog on which I will post weekly announcements, videos, and other information.

1. Name some of the major authors from the areas of the world featured in the class and discuss their works in a knowledgeable manner.

2. Continue to hone critical and written skills.

3. Continue reading with pleasure and/or research with confidence in Nonwestern Literature, from Chinua Achebe to Zee Edgil.

4. Discuss the important role literature plays in the areas of the world the course investigates.

5. Talk clearly and critically about the issues--from post-colonial concerns to women's rights--addressed in literature examined this term.

Assessment Methods and Student Requirements:

Grades:

Your grade will be based upon the following (subject-to- change) percentages:

Weekly Discussions 16%

Weekly Quizzes 16%

Short Essays 20%

Exam One 26%

Exam Two 22%

Grading Policy:

A 90-100
B+ 85-89
B 80- 84
C+ 75-79
C 70-74
D+ 65-69
D 60-64
F 59 and below

Weekly Discussions:

Weekly discussions in this class replace attendance in the traditional classroom.

Each week, you will be responsible for taking part in one or two discussion threads connected with class reading material. You must complete the discussions during the week assigned; unless otherwise indicated, the threads run from Monday morning until midnight Sunday.

I will monitor the discussions and reply to the class as a group and to individual writers. In general, the discussions require that you write in paragraph form about your ideas and in response to what your fellow readers/writers have to say.

Each thread has a specific focus. Your grade is determined by the enthusiasm you bring to the discussion, your ability to articulate your ideas clearly, the degree to which you deal honestly and critically with the reading material, and your ability to fulfill the assignments.

Read weekly thread description(s) carefully and take part regularly in the class discussions--waiting until a couple hours before the deadline will not work and your grade will reflect this lack of serious attention. To get minimum credit, you must write at least two responses, each a paragraph in length, to each prompt and begin your involvement early in the week.

Waiting until Saturday or Sunday will result in minimum credit or less, depending on the effort.

You can have a lot of fun with the discussion threads; and inasmuch as they count for 16% of your grade, your serious attention will help ensure class success. In addition, earnest involvement in the discussions will help you with the examinations and other essays over the course material.

Quizzes:

Each week, you will take a short quiz based on the reading materials, including the class notes. Each week, I will post a video that will help you with the quiz material.

If you read the assigned materials, take part in class discussions, ask questions, and read your class notes, you should find these tests relatively easy.

These tests seek to ensure that you keep up with the course.

These quizzes are open book .

As with the discussions threads, this particular aspect of the course gives you an excellent opportunity to improve your grade--
just keep up with your reading and take both the reading and course discussions seriously. In general, the quizzes will become available on Thursday mornings until midnight Sunday.

You must complete your quiz during the assigned period.

Short Written Assignments:

Two short essays--2.5-3, double spaced pages each--will be assigned over the course of the semester, in addition to the essay examinations.

You will be given a variety of choices from which to choose.

You will have an opportunity to revise these short essays to elevate your grade.

You will have approximately a week to complete these written assignments. And you will receive instructions concerning how to improve the essay.

See the section on "revisions" for further information.

Turn in all written work via the assignment template on Blackboard; your work will be returned in the same fashion.

Exams:

The examinations will require that you write a 2- 2.5, double-spaced page essay on an assigned topic.

You will have choices on writing topics for the essay component of the examination.

Each examination will also ask you to respond to five or six prompts drawn from the assigned readings; you will write at least six sentences on each of the prompts, addressing the significance of each.

In general, the short-response essays ask you to discuss the significance of a character, action, or quotation for the narrative from which it is derived and in relation to issues raised in other and related class material.

 

Do not let the emphasis on writing worry you--the hours spent on your examinations will replace, in many respects, the intensity of face-to face exchanges and in-class discussions.

Adapt and do well!

Revisions:

As I often tell my composition writers, the verb "to essay" means "to attempt," "to undertake," "to try," and even "to struggle."

From this perspective, an essay represents an ongoing project, a process of revision. So that you can use the process as a sign of progress and elevate your grade for an assignment, a revised grade replaces the original grade.

Bear in mind, however, that a revision does not automatically result in a higher grade.

An effective rewrite requires more than simply correcting spelling errors and clearing up awkward sentence construction. Often, in fact, a good revision requires that you make a fresh start. You will find that I provide many comments and suggestions to help you improve your essays.

As a general rule, you will have a week to complete revisions.


Due Dates and Late Material:

Complete all work on assigned dates.

Unless informed otherwise, all work must be in by midnight Sunday at the conclusion of the week the assignment is due.

If you must turn in something after the due date, let me know in advance.

Grades for unexcused late work will be lowered at the rate of one-half a grade each day.

Incomplete Coursework:

To designate a student's work in a course as incomplete at the end of a term, instructors record the incomplete grade (I). Students may receive this grade only when serious illness, hardship, death in the immediate family, or military service during the semester in which they are registered prevents them from completing course requirements. In addition, to receive an incomplete, a student must have completed a majority of the course's major requirements. Unless extenuating circumstances dictate otherwise, students must initiate requests for an incomplete by filing out an Incomplete Grade Completion Contract, which requires the student and faculty signature.

The Incomplete Grade Completion Contract cites the reason(s) for the incomplete and details the specific obligations the student must meet to change the incomplete to a letter grade. If students agree to complete required work prior to the normal deadline for making up an incomplete ­ the end of the subsequent semester ­ this date must appear in the contract. The division chair, the instructor, and the student receive signed copies of the incomplete Grade Completion Contract.
Even if the student does not attend Peru State College, all incomplete course work must be finished by the end of the subsequent semester. Unless Faculty Senate approves an extension, if the student does not fulfill contract obligations in the allotted time, the incomplete grade automatically becomes an F.

Students who have filed an application for graduation are not eligible for a grade of Incomplete.

Accommodation Statement:

The Rehabilitation Act of 1973 (public law 93-112) section 504, provides that "no otherwise qualified disabled individual in the United States shall solely by reason disabled, be excluded from the participation in, be denied the benefits of, or by subjected to discrimination under any program or activity receiving federal financial assistance."

1. It is the student's responsibility to notify the institution of any special circumstances that would affect his/her ability to complete equally in the college environment. Learning disabilities must be appropriately documented.

2. While students are encouraged to self-identify at the earliest possible time, students may not know or choose to self-identify, but can still receive services at any time once they self-disclose and document.

3. Students should contact the office of Student Support Services, Vice President for Student Affairs or the Director of Admissions for further advisement.

Academic Dishonesty:

Academic integrity is a basic principle that requires the student to take credit only for ideas and efforts that are his/her own. Cheating is defined as the submission of materials in assignments, exams, or other academic work that is based on sources prohibited by the faculty member. Cheating shall include, but is not limited to, situations in which a student:

1. Refers during an academic evaluation to material sources not authorized by the faculty member.

2. Utilizes devices during an academic evaluation that are not authorized by the faculty member.

3. Provides assistance to another student or receives assistance from another student during an academic evaluation in a manner not authorized by the faculty member.

4. Presents as his/her own the ideas or words of another person without customary and proper acknowledgment of sources.

5. Knowingly permits his/her words to be submitted by another person without the faculty member's permission.

6. Acts as a substitute or utilizes a substitute in any academic evaluation.

7. Fabricates data in support of laboratory or field work.

8. Possesses, buys, sells, obtains, or uses a copy of any materials intended to be used as an instrument of academic evaluation in advance of its administration.

9. Alters grade records of his/her own or another student work in a course or a component of a course.

Concluding Thoughts:

Internet classes can be both challenging and enjoyable. Take advantage of the opportunity to communicate with me on a regular basis.

I will respond to all e-mail messages within a day and generally much more quickly, as I check my mail frequently.

The college requires that you send your documents in Word.

WARNING:

Internet classes are not easier than traditional classes.

This class gives us a unique opportunity to experiment and gives you a chance to help form the class. If you have ideas, share them with me, as I am very much open to any suggestion that makes the class more challenging and more enjoyable.

Again, communicate with me frequently and freely.

Take your work seriously from the very beginning--do not fall into the trap of waiting until Sunday to do your work. I look forward to a gratifying experience and welcome all of you to the exciting world to which Non-Western Literature will introduce you.

 

TENTATIVE COURSE SCHEDULE

General Schedule for Nonwestern Literature Our course is divided into Eight Weeks/Units and four sections.

Each week you will find a specific reading assignment, discussion thread descriptions, and course notes to help you with the material. You will fulfill weekly assignments included in the section of the template devoted to class work and detailed each week in the course information section of the template.

Read the CLASS INTRODUCTION document for a more complete description of how the semester will progress.

The class will pursue the following General Schedule over the next eight weeks.

 




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